Biography
1928 Born 16th February
1945-46 Architectural Association, London
1946-48 Army National Service
1949-54 Royal Academy Schools, London
1955-68 Lived and worked in Spain
1973-93 Teaching at Central School of Art & Design
1989 Elected member of The London Group
Awards
1955 Turner Gold Medal for Landscape painting
1970 E. A. Abbey Scholarship
1972-73 Arts Council Awards
1979 British Council Award
Selected Solo Exhibitions
1955 Piccadilly Gallery, London
1956 Sala Vayreda, Barcelona
Piccadilly Gallery, London
1957 Galerie Wolfgang Gurlitt, Munich
Galerie Boiserée, Cologne
Univera-Haus, Nuremberg
1958 Institut fur Auslandbezierlhungen, Stuttgart Piccadilly Gallery, London
1960 Stone Gallery, Newcastle
1961 Piccadilly Gallery, London
1969 Bear Lane Gallery, Oxford
1972 Institute of Contemporary Arts, London
1973 lkon Gallery, Birmingham
Richard Demarco Gallery, Edinburgh
1974 Prudhoe Gallery. London
Aberdeen Art Gallery and Museum, Aberdeen
1979 Galerie Morner, Stockholm
1983 Oxford Gallery, Oxford
1986 Windsor Art Centre, Windsor
1989 Austin/Desmond Fine Art, London
1996 Reed’s Wharf Gallery, London
De La Warr Pavilion, Bexhill-on-Sea
Selected Group Exhibitions
1957 Internationale Kunstaustellung, Bayreuth, Germany
1958 Wildenstein, London
1964 Museo de Bellas Artes, Mãlaga
Grosvenor Gallery, London
1967 Hamilton Gallery, London
1969 Annely Juda Fine Art, London
Camden Arts Centre, London
1971 Art Spectrum, London
1972 John Moores 8, Liverpool
Art Information Registry Touring Show
1973 Annely Juda Fine Art, London
1974 John Moores 9, Liverpool
“British Painting”, Hayward Gallery, London
1975 “From Britain ‘75”, Helsinki, Finland
1979 “Awards & Purchases”, Serpentine Gallery, London
1980 “Contrasts”, Sandford Gallery, London
“Four Painters”, Chelsea School of Art, London
1980-88 Whitechapel Open, London
1980,84 The London Group Exhibition, London
1980-92 Royal Academy Summer Show, London
1981 Central School of Art, London
1981-82 Canterbury College of Art, Canterbury
1982 “Wapping - Regard sur Ia Creation Plastique Britannique”, Musee Municipal des Beaux Arts,Tourcoing
1983 “Ten Artists from London”, Porin Pori, Finland
City University Gallery, London
1984 City University Gallery, London
1985 ‘Thirty London Painters”, Royal Academy, London
Galerie Matisse, lnstitut Francais, London
“The Last Wapping Show”, London
1985-87 “Modern British Art”, Austin/Desmond Fine Art ,London
1986-89 “British & Irish Modernist Art”, Christie’s, London
1987 Contemporary Art Society, London
1988 “Modern British Exhibition”, Agnews, London
1989-94 The London Group Exhibition, London
1990 “British & Continental Painting”, Christie’s, London
1991 Kelper Gallery, London
1993 “Watercolour”, Curwen Gallery, London
“Contemporary Art’, Courtauld Institute, London
1994 Whitechapel Open, London
“Surface Tensions”, Curwen Gallery, London
Chelsea Arts Club Exhibition, London
1995 Reed’s Wharf Gallery, London
1996 ‘Cross Currents’, Barbican, London
Selected Public Collections
Aberdeen Art Gallery & Museum;
Arts Council of Great Britain;
Bristol University;
Chelsea & Westminster Hospital;
County Collection of Hertfordshire;
York University;
St.John’s College, Oxford;
St. Mary’s College,Twickenham;
Nuffield Foundation;
Ateneum Museum, Helsinki, Finland;
Sara Hildred Foundation Museum, Tampere, Finland
Private Collections
Australia, Eire, England, Finland, France, Germany, Scotland., Spain, Sweden, Switzerland and USA

John Copnall was born in Slinfold, Sussex, son of sculptor Bainbridge Copnall, in February 1928. He studied at the Architectural Association in the early 1940s before serving his National Service in the Army.

On returning from the Army, Copnall briefly studied painting with his father at the Sir John Cass College, before enrolling at the Royal Academy in 1949 under the tutorage of Henry Rushbury.

Copnall's early work was very much in the figurative style of the day, as can be seen from the self-portrait, but towards the end of his time at the RA he began to become aware of the exciting developments happening within the American art scene.This coincided with a trip Copnall made to Spain with fellow student Bert Flugelman, when they hitchhiked down to Barcelona.The plan was to stay for a month, but the Spanish landscape had such a profound effect on Copnall that he ended up staying until 1968!

Flugelman returned to London and Copnall found a small farmhouse just outside what was then the tiny village of Benalmadena, Andalucia, where, inspired by a combination of his interest in Abstract Expressionism and the dramatic Spanish landscape, he began a series of powerful abstract paintings.

He based many works of this period on rock formations and the heavy impasto paint seems to almost take on the very essence of the stone itself glowing in the Spanish sun.

The subtle multi-layering and strength of application give these paintings an organic form all of their own and even though most of the pieces are now more than 40 years old they are as fresh and vital as the day they were painted.       Mark Barrow 2005

SeIf Portrait (1953) oil on board


Mountain Forms
1961

Vertical Structure - Red & Yellow 1961

Mountainside Benalmadena
1959

Mountain & Palms
1959